#Zbrush 4 lazy mouse how to

That is a lot of vertices to brush! YouвЂ™ll get old and will not finish the job! Then, for those cases, the more automation the better!ДЄnyway, I think making retopology manually a lot of fun and I use вЂњ TopoGunвЂќ for that. Of course, some вЂњlow polyвЂќ models for consoles platforms are an other history! Some main characters from an AAA title can easily pass the 70.000 polygons. DonвЂ™t forget that this asset was planned to be used in mobile devices, and have a lot of silhouettes. What can I say!? IвЂ™m from the old school! I just canвЂ™t let a program, figure out an automatic solution for my lowpoly models! I never found an automatic solution that could be better than a well trained eye, principally when the polycount drops down of the 4 digits. I know many people will say that with the advance of some technologies, to do retopology manually now days is nonsense. The asset are now ready to one of the process I like the most, RETOPOLOGY! I just kept doing so for the rest of the pieces, using their respective color bases, until all the pieces were painted. The idea is to paint those areas with a darker color than I had painted the higher areas. Now is time to invert the mask and get rid of the black areas on the cavities. This will help enhance the granular effect I was looking for.ДЄfter covering all the pieces with an almost black color, I make a cavity mask to preserve the dark color on the cavities and start to paint the respective color base of each piece with a very granular brush setting, as show in the figure above. I did all the painting inside ZBrush and started with a very dark primer to act as base. To finish with the sculpture, I modeled the handle, some minor details and put the buttons on the cushion at the backside of the shield. It was easier and faster, for me, to draw the ornaments and its relations, instead of drawing the masks. I chose this method instead of using masks and inflate them, because of the intrinsic relation of the ornaments. ItвЂ™s the most time consuming stage of the project and also the most pleasant for me: the sculpting of all the ornaments.ДЄfter making about 4 to 5 subdivisions, I found that the best way to sculpt the ornaments, was to make continuous and decisive brush strokes, using the вЂњlazy mouseвЂќ feature (setting from 30 to 50) and the clay brush. When the volumes and proportions are defined, the real fun begins. The goal here is just to find the volumes and proportions of the piece, so we have to resist the temptation to start creating details at this point, to avoid losing time. I did this for the вЂњBaseвЂќ and the вЂњFrameвЂќ of the shield.ДЄfter that, I start to model the general shapes and volumes of the pieces in a very rough way. In ZBrush, I start вЂњextractingвЂќ the silhouettes of the pieces from a 3D plane, using a mask made from the very concept.

For this sculpting stage, I always use ZBrush. Once a concept is approved, I start to work on the high polygon model, or the вЂњreferenceвЂќ model.

Walfrido Monteiro, the concept artist by the occasion, came up with this great design! To see more of this great brazilian artist, check out his personal site.

A normal, a diffuse and a specular map, because we were using a very customized Unity 3DвЂ™s Shader, back then. Our objective was to create an extremely detailed object, that had to stay below 1.000 polygons and had to make use of only 1 material and 3 texture maps. вЂњShield LibitinaвЂќ was an asset produced for the game вЂњBlood & GloryвЂќ, from Glu Mobile, in 2011 and was conceived to be the most expensive of itвЂ™s category in the game. In this tutorial IвЂ™ll try to cover in a very elementary and practical way all the steps I took to produce this asset.ДЇirst, a little background.

#Zbrush 4 lazy mouse how to

In this tutorial, he shows how to model, retopology and texture a low-poly game asset. Leonardo Branco is 2D and 3D artist with 18 years of experience producing art content for games.